Last weekend, I bought a Philips Hue starter kit, which currently retails for roughly $200. Philips Hue has been out for about two years, and is one of the easier "smart lighting" solutions currently available--It gives you the ability to turn on your lights, change their color/brightness through your smart phone, tablet, or computer, as well as set up automation.
The starter kit comes with a Hue bridge (used to control up to 50 Hue bulbs wirelessly through ZigBee) and three Hue bulbs.
After using the system for a few days, and having researched some of my questions online beforehand, my initial thoughts? Great system, lots of potential. Still lacks simplicity and more functionality, not to mention needing to be more affordable, for the general population to be able to use it.
Its biggest problem? The light switch. To make full use of Hue's "smart" capabilities, you basically need to keep all the lights on all the time--if they're physically switched off, the bridge can't talk to the bulbs to turn them on. There are ways around this, such as the Hue Tap, but it's expensive if you want to get one for each room, and so far I have not found a good motion-sensor solution (which would be good if Philips can offer up an easy, working solution, instead of trying to create our own workarounds). Now, you could just use the light switch as if they're normal bulbs, and things will work like regular warm-light bulbs, but none of the scheduled/automated functionality will work.
That brings us to the automated functionality...
Geofencing
Geofencing is the ability to turn off your lights when your smart phone moves out of the designated area, and on when it moves back within range. It does this by using your phone's cell signals, and comparing the geolocation with your predesignated "home" location.
By choosing one of your "scenes," you can designate which of your bulbs should be turned on, to what color, and at what light intensity. There's also an option to use your selected geofencing scene "Only after sunset."
Unfortunately, what I've found is that the "Only after sunset" setting does not work. Regardless of when I get home, geofencing turns on my lights--I've been back at 11:00AM, at 4:55PM (right before sunset for the day), and after sunset. The lights always turn on.
Though not a big deal, as I can always turn them back off if it's still too bright outside, it would be nice if the given functionality in the official app actually works.
The "off" function works fine. No complaints.
Please note that geofencing is meant to be used for leaving (or returning to) your home, not for individual rooms.
If This, Then That (IFTTT)
Outside of the official app, one of the biggest things that can be used is IFTTT. And one of the most recommended settings is to use this to turn on (at least one of) your lights at sunset.
IFTTT will connect to Weather.com, using your local forecast to obtain the sunset time, and turn on the lights of your choosing. Sounds great, right?
Well, not exactly. IFTTT will only poll for the trigger conditions every 15 minutes, and unfortunately, the connection actions do not allow you to choose X number of minutes before/after sunset/sunrise.
In my apartment, where not a lot of light comes through around dusk, I would actually prefer for the lights to come on at least 30 minutes before sunset. However, since I can't choose such settings, the lights end up turning on automatically much later than I would prefer.
Certainly, if I were home, I could do this manually, but the idea is to make it automatic so that it seems like I'm always home. And it could be argued that, as IFTTT is not created by Philips, it's not really a shortcoming of the Philips Hue system, but couldn't Philips include this a one of the default available functionality in its app? There are probably other third-party apps that can achieve this better (such as Hue Pro or Tasker, both of which are pay apps), but at the entry level price of at least $100 (for the Hue Lux starter kit), consumers shouldn't need to pay more to achieve the more basic "smart" functions.
Overall, I do think Philips Hue is a very good system, and I love the added functionality it brings, as well as lower energy use compared to the CFL bulbs I was using before. And while Philips has certainly made improvments to the system over the course of two years, there are still a few more touches that are needed to make it really useful. Hopefully Philips will update their software to bring these functionality in sooner, rather than later.
Showing posts with label review. Show all posts
Showing posts with label review. Show all posts
Thursday, January 15, 2015
Sunday, December 03, 2006
Superman II: The Richard Donner Cut
When I picked up my copy of Superman Returns this week, I noticed that they also had some other Superman-related DVDs, including a "Richard Donner cut" of Superman II, and a new Superman boxset called the "Christopher Reeve collection." Since I already bought the "complete Superman collection" a few years back, I didn't feel the need to pick either of those up.
However, after I got home, I became more curious, and looked up more info. Apparently, when Richard Donner was shooting Superman: The Movie, he also shot most of the sequel. The studio halted production on the second movie to get Donner to finish the first one, and also because he was over-budget. At this point, 70-75% of the sequel had already been filmed.
When the second movie went back into production, several things happened, all of Marlon Brando's scenes as Jor-El were removed, and Richard Donner was replaced by Richard Lester as director. In order for Lester to be billed as director, he'll have to film at least 51% of the movie, meaning much of what Donner shot had to be removed or re-shot.
So, this "new" version is quite a bit different from the theatrical version, and fills in some of the gaps in it. Overall, I think it's a better movie, I'm just not too keen on the scientific aspects in the way they ended the movie. But then, this is Superman we're talking about. "Scientific aspects" of the story pretty much went out the window a long time ago.
A more detailed review of the Richard Donner cut can be seen below.
However, after I got home, I became more curious, and looked up more info. Apparently, when Richard Donner was shooting Superman: The Movie, he also shot most of the sequel. The studio halted production on the second movie to get Donner to finish the first one, and also because he was over-budget. At this point, 70-75% of the sequel had already been filmed.
When the second movie went back into production, several things happened, all of Marlon Brando's scenes as Jor-El were removed, and Richard Donner was replaced by Richard Lester as director. In order for Lester to be billed as director, he'll have to film at least 51% of the movie, meaning much of what Donner shot had to be removed or re-shot.
So, this "new" version is quite a bit different from the theatrical version, and fills in some of the gaps in it. Overall, I think it's a better movie, I'm just not too keen on the scientific aspects in the way they ended the movie. But then, this is Superman we're talking about. "Scientific aspects" of the story pretty much went out the window a long time ago.
A more detailed review of the Richard Donner cut can be seen below.
Tuesday, October 03, 2006
Heroes
I've been watching NBC's new sci-fi/drama series, Heroes, through Internet downloads--mainly because I was watching Fox's Vanished on TV, which airs in the same timeslot, with a lead-in from Prison Break. I also felt, prior to the show's premiere, that it might have been too hyped up, and I'd be disappointed by it.
Since I'd heard some good things about it after the pilot aired, and the fact that Ali Larter is in it, I decided to download it and see if I'd like it.
The show is interesting, kind of an X-Men meets Unbreakable kind of story. It is very much like a comic book, or perhaps more akin to a graphic novel, I could almost see the narration text and word bubbles as I watched it. It deals with a group of people, scattered around the world (but mostly in the U.S.) who find themselves with abilities beyond that or normal humans, perhaps making them a step-up from the evolutionary ladder (much like the mutants in X-Men, but not nearly as widespread), most begin to test their powers (like in Unbreakable).
From the promos, it's obvious that not all of the characters with superpowers have been introduced yet after the second episode, and the true identity of the main antagonist, Sylar, will likely remain hidden for quite some time. The show is well-written, for the most part, if not for their blantant misunderstanding of the human brain. Also, if Nora Zehetner's character in the second episode doesn't seem like an obvious plant by the "other side" to gain the guy's trust, I don't know what does.
Since I'd heard some good things about it after the pilot aired, and the fact that Ali Larter is in it, I decided to download it and see if I'd like it.
The show is interesting, kind of an X-Men meets Unbreakable kind of story. It is very much like a comic book, or perhaps more akin to a graphic novel, I could almost see the narration text and word bubbles as I watched it. It deals with a group of people, scattered around the world (but mostly in the U.S.) who find themselves with abilities beyond that or normal humans, perhaps making them a step-up from the evolutionary ladder (much like the mutants in X-Men, but not nearly as widespread), most begin to test their powers (like in Unbreakable).
From the promos, it's obvious that not all of the characters with superpowers have been introduced yet after the second episode, and the true identity of the main antagonist, Sylar, will likely remain hidden for quite some time. The show is well-written, for the most part, if not for their blantant misunderstanding of the human brain. Also, if Nora Zehetner's character in the second episode doesn't seem like an obvious plant by the "other side" to gain the guy's trust, I don't know what does.
Thursday, September 14, 2006
New DVDs
This week, I picked up Lucky Number Slevin and The Wild. Lucky Number Slevin is an interesting crime drama/thriller/dark comedy. It's not on par with other dark comedies like Pulp Fiction, but it's still a fun ride, nontheless. The very basic gist of the movie, without giving too much away, is summed up by Lucy Liu's character in the clip above.
The Wild is one of the few computer-animated movies released by Disney, but was not done by Pixar. It has been described by some critics as "Madagascar meets Finding Nemo with The Lion King thrown in for effect." This is not untrue, as the story involves animals from the New York Zoo "escaping" captivity, roaming the city with the lion, Samson, looking for his son, who is practicing his roar, but still sounds like a little cat. Surface similarities aside, it's actually quite a different movie from Madagascar. I personally think the animation quality is much better than Madagascar, but while the story is fine, it lacks the humor in the other movies being compared to. That's not the say that the movie is completely devoid of humor--only that these moments of comedy are few, while at times it seems they're trying too hard.
The Wild is one of the few computer-animated movies released by Disney, but was not done by Pixar. It has been described by some critics as "Madagascar meets Finding Nemo with The Lion King thrown in for effect." This is not untrue, as the story involves animals from the New York Zoo "escaping" captivity, roaming the city with the lion, Samson, looking for his son, who is practicing his roar, but still sounds like a little cat. Surface similarities aside, it's actually quite a different movie from Madagascar. I personally think the animation quality is much better than Madagascar, but while the story is fine, it lacks the humor in the other movies being compared to. That's not the say that the movie is completely devoid of humor--only that these moments of comedy are few, while at times it seems they're trying too hard.
Labels:
film,
Lucky Number Slevin,
movie,
movie trailer,
review,
The Wild
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